Jay-Z‘s annual Made in America festival has been cancelled due to the coronavirus pandemic.

In a statement, the rapper’s Roc Nation company confirmed plans for the Philadelphia festival to return once more over Labor Day weekend 2021.

“2020 is a year like no other. We are in a pivotal time in this nation’s history. Collectively, we are fighting parallel pandemics, COVID-19, systematic racism and police brutality,” the statement confirmed.

“Now is the time to protect the health of our artists, fans, partners and community as well as focus on our support for organisations and individuals fighting for social justice and equality in our country. Therefore, the Made In America festival will be rescheduled for Labor Day Weekend 2021.”

An update on the 2020 Made In America festival.
Let’s focus our support on organizations and individuals fighting for social justice and equality in our country.
We look forward to seeing you next year. pic.twitter.com/XQv5xIWren

— Made In America Festival (@MIAFestival) July 1, 2020

This year’s event was set to take place Sept. 5-6 at the Benjamin Franklin Parkway.

Roc Nation added that tickets for the 2020 event will be valid in 2021. Those seeking refunds will receive an email from Live Nation explaining how to get their money back.

Meanwhile, Jay-Z recently teamed up with wife Beyonce to co-write her new single, entitled ‘Black Parade’. The track was released for Juneteenth (June 19), the day commemorating the end of slavery in the US.

The track, which is also written by her longtime collaborators Derek Dixie, Caso and Kaydence, sees Beyoncé sings about her Southern heritage and womanhood.

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Neil Young has brought back his Fireside Sessions series for a sixth episode, sharing a deeply political new episode.

Performing from his porch instead of the usual position next to his fireplace, Young shared a number of protest songs from across his career, as well as a cover of Bob Dylan‘s ‘The Times They Are A-Changin”.

• Read more: Neil Young – ‘Homegrown’ review: ‘lost’ mid-’70s album is a shimmering diamond well worth unearthing

During the set, Young played ‘Alabama’ from his ‘Harvest’ album before taking on Crosby, Stills, Nash & Young protest song ‘Ohio’, as well as a rarity called ‘Campaigner’ and his song ‘Southern Man’.

He then went on to cover the Dylan classic, before sharing a version of his own track ‘Lookin’ For A Leader’, editing the lyrics to criticise Donald Trump and his reaction to the recent Black Lives Matter protests.

“Yeah, we had Barack Obama, and we really need him now,” he sung. “The man who stood behind him has to take his place somehow/ America has a leader building walls around our house/ Who don’t know Black lives matter, and it’s time to vote him out.”

Watch the full set here.

Neil Young recently shared a new open letter, criticising Donald Trump’s response to the Black Lives Matter protests being held across America and the world following the death of George Floyd in Minneapolis.

“Although I think our president is responsible for a lot of this unrest we feel today as he has fanned the flames and tried to turn us against one another for his political reasons, I am thankful that we are all standing for what we believe, and I think we will be a better country for this,” he wrote.

Announcing the launch of the Fireside Sessions back in March, Young wrote: “Because we are all at home and not venturing out, we will try to do a stream from my fireplace with my lovely wife filming. It will be a down-home production, a few songs, a little time together.”

Neil Young released ‘Homegrown’ last month, a long-anticipated “lost” album from the mid-1970s. A five-star NME review of the album called it “a shimmering diamond well worth unearthing”.

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To mark the launch of today’s #LetTheMusicPlay campaign with over 1,400 artists signing an open letter to the government help save the UK’s live music scene from catastrophe, radio DJ, Primal Scream bassist and Featured Artists Coalition Ambassador Simone Marie Butler writes for NME about why action is needed now to stop irreparable damage. 

“To say it’s been a strange year so far really is an understatement of epic proportions. As we watched festival after tour after gig get pulled and optimistically rescheduled, we’ve battled with our Spring, Summer, Autumn and now probably Winter live music fixes being made absent from our diaries and lives. Glastonbury shifted into its first online digital identity as ‘Glasthomebury’ as we watched from our sofas. Who would’ve thought that as futuristic as 2020 sounded, it would bring with it such a devastating reality? The issue of our own mortality clearly supersedes anything else, but when it comes to every person whose financial security and income rely on any form of musical performance, the truth is, the live music industry is waiting at the box office window tentatively, to see if its name is on the guestlist for 2021.

“There’s no doubt that COVID-19 has been and continues to be a monstrous and invisible threat to us on so many levels. Livelihoods are crumbling, lives have been tragically lost and we are still not out of the woods. Not in this generation have we seen the likes of such a global catastrophe.”

“Clearly we must never lose sight that at the heart of this and most importantly, are the NHS frontline workers and those fighting for their lives. Those who don’t have the luxury right now to be angry about this as they’re too busy fighting for theirs or the lives of others. The incredible work our doctors and nurses are continuing to do under such ongoing constraints is something we are all in awe of.

“In the UK, job centre claimants have risen 126% to 2.8million since the start of the lockdown. The live music sector including venues, touring bands, crews, festivals, DJs, clubs, studios and many other areas is no different. Not just these sectors but every connecting industry which provides the framework and backdrop to the final piece.”

“Music is part of our cultural heritage. It’s part of our self expression, our vision, the fabric and soundtrack of our lives and experiences. It’s part of human connection. Let’s also remember the music industry is one of our biggest income revenues and exports.

“With that being said, we simply cannot afford to let the live industry go under.

“It may sound like I’m being over dramatic, but I can assure you after reading through documents, statistics, talking to Oliver Dowden (Secretary of State for arts and culture) about the crucial help needed, that the facts in the cold light of day are not pretty.

“The live music industry and all its surrounding counterparts are going to need urgent help if they are to survive and thrive come next year. The association of Independent festivals have concluded that around 90% of AIF organisers could risk going under by 2021 without any financial support from the government. That’s the bottom line and it’s a bleak reality.

“Based on impact surveys, 92% of AIF festival organisers have said that their firms are at risk without Government intervention, with the effects of COVID-19 likely to result in businesses collapsing under refund requests” (read the full article here)

“The Featured Artists Coalition – which sees supporters such as Johnny Marr and musicians from across the entire scope of music – is going to be instrumental in getting this vital help from the government, but we need the help of the public as well as established artists to speak up. We need to be unified in all areas of the music industry to get through this. This isn’t about focusing on small elements of the industry, it’s about the entire umbrella of the music industry as a collective, the bigger picture.”

“As some of the lockdown restraints start to lift, we are seeing shops open, a light suggestion of normality returning, yet this is not without risk. Music venues and festivals cannot operate at 30% like other retail outlets. We cannot social distance at a festival with thousands of people and that’s even without alcohol thrown into the mix.

“Just as schools and other businesses plan to re–open and need to be able to do that safely so does everything else. The live music industry will be the last to start their engine amidst this pandemic. There is talk of on site testing, temperature checks, etc… all of which needs to be throughly researched and have scientific and logistical backing.

“If you want to help make sure the live music industry in all its guises is still alive next year, then this is the time to come and support the campaign by FAC in conjunction with Music Venue Trust. We are calling on the public to shout as loud as they can about this. We have an entire list of bands and musicians who have given their names to the letter being sent to Oliver Dowden, but music is a two way exchange. We need you, the ones who shout and scream and come to see us play. The supporters of live music who know what a gift it is. This is your campaign as much yours as it is ours.”

“On July 2, we launch the #letthemusicplay campaign. We are calling on bands, musicians, DJs and all involved in live music to share this hashtag to create a collective public voice by posting a short sentence about why live music is so important to them. To share photos of live shows and memories with the hashtag on all social media platforms online.

“The FAC are constantly lobbying with MPs and politicians in the arts sector to tackle this current situation. Please visit their site for all up to date information. You don’t have to be an active campaigner but just to have your support would mean the world right now.

“The more of us that come together and unify, the greater the influence and opportunity there will be to instruct change. Music can bring us together and create life changing moments. I believe this is one of those moments.”

Today sees the launch of the #letthemusicplay campaign from @FeaturedArtists in conjunction with @musicvenuetrust The live music industry and all of the surrounding counterparts urgently needs gvmnt funding to keep it afloat right now. Let’s make this happen. X pic.twitter.com/j2ParnDfCO

— simone marie (@simonemarie4) July 2, 2020

I’ll be on @BBCNews this morning at 11.40am talking about the #letthemusicplay campaign being launched today.
Pls also follow @FeaturedArtists for continuing info and how to support. More news to come x pic.twitter.com/B57ubnHo3M

— simone marie (@simonemarie4) July 2, 2020

As told to Andrew Trendell. Read more on the #LetTheMusicPlay campaign here.

The post Primal Scream’s Simone Marie Butler on the #LetTheMusicPlay campaign: “We need you all to come together” appeared first on NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM.